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South superstar Genelia started her career with Hindi film Tujhe Meri Kasam but with her recent appearance in Priyadarshan’s comic bone tickler Mere Baap Pelhe Aap the bubbly babe is still a newcomer for Mumbai audience. The reason maybe a gap of four years that the Masti-girl took before coming back after last Hindi flick Masti. This time she is packaged with comic stars Akshaye Khanna and Paresh Rawal. Let’s share few moments with the bindaas gal Genelia and try to know about her present film along with her POV towards her career and little more…
Q. Why did you accept the film?
A. Actually, Priyan sir himself came to meet me in Chennai with the story of the film. And hearing the story I agreed on doing it. And, Priyan sir’s story leaves no room to think twice before signing it.
Q. Few people think the name of the story is little cheap. What do you say?
A. I would ask all the people, who are talking about the name of the film as cheap, to go and watch the film once. I bet their view will completely change. It’s a beautiful film depicting the beauty of relationship between a father and his son. Yeah, the title of the film is little different but one has to think it’s a Priyadarshan film and he always tries something offbeat. The title actually appealed me and I think it’s very cute. The first word I said on hearing the title was ‘wah’.
Q. Please tell us about your character in the film.
A. I am playing a juvenile character named Shikha. She is a hardcore prankster but at the same time she is helpful to others. She helps Akshaye a lot to get his father married.
Q. The film is completely based on the relationship of father and son. How far will your character be important in the story?
A. It’s very important. My track runs parallel with their story track and both the tracks are important for the story. I help Akshaye a lot. My character is not partially important but affects the entire story.
Q. There were director like Priyadarshan, actors like Akshaye Khanna and Paresh Rawal on the sets. How was your mental state at the shooting?
A. Initially I was little scared because all the three of them have worked before and they share quite a kind of friendship. I thought they won’t accept me among themselves as I was absolutely new to them. But there was nothing like that. Pareshji and Akshaye mixed with me so fast that I never had chance to think of my new entry to the team. And the most important matter was that they not only accepted me as the part of the team but also gave me the due honour as an actor.
Q. You are quite a known name in South but Bollywood is treating you as newcomer. How do you accept the issue?
A. Though I have done quite a lot of films, I still think of myself as a newcomer. After so many days of facing the camera I have become quite camera friendly but I still am not that clear about my shots. I still ask people about ‘how was it’ after every of my shots. Maybe my not having any filmy background is a reason behind that and I always want to learn. Everyday is a learning session to me. To be very precise, I don’t think of myself as a newcomer but a confident newcomer.
Q. Akshaye Khanna is known as very moody actor. How was your experience working with him?
A. I don’t think he is moody at all. Yeah, he is very calm and cool guy as he remained taciturn on the sets all the while just like me. He is not a guy who can misbehave with you. There were many situations where he helped me understanding and acting in several scenes. I think people have to have completely different point of views to call him moody.
Q. Any scene that troubled you most to act in?
A. I can recap shooting a song in Kerala. There were few long boats in water and while we were in one of them, boys and girls were in two separate boats. We had to go in synch with 120 other people sitting in the same boat. It’s really an interesting and surprising experience for me. I have worked in South previously, too, but this is for the first time that I enjoyed the beauty of Kerala.
Q. After Masti in 2004, you are in Mere Baap Pehle Aap in 2008. Why is the gap of four years?
A. It was not my intentional plan to take that time. In the year 2003 my three films were supposed to get released in three different languages – Tamil, Telugu and Hindi. But before those films could get released, I had to move to South and then there was no time to turn back. But I am happy with my comeback.
Q. Which does excite you most – South Indian or Hindi films?
A. Both. Whether it’s Hindi or in South Indian language, what I look for is always my character.
Q. Bollywood is alluring more and more new girls everyday. How are you prepared to compete with all the newcomers?
A. I am not inexperienced with the competition but I think my competition is only with myself. I always want to give my best to any project I am working in because filmmakers hire me for the betterment of their films. I would always like to payback 200% to the person who has shown his faith in me by providing the job to me. I know that I have no filmy background and every time I have to prove myself to stick to my position in the industry.
Q. This is your second comedy. How do you enjoy comedies personally?
A. I enjoy it very much. It’s only because our daily life of loaded tension needs comic moments to laugh all the tension away. That’s the reason of us liking comedies so much. I do enjoy every genre of films including comedy, thriller or even love stories. If asked about personal feelings, my preference of film is love stories but at the same time I do feel that humour is necessary even in love stories.
Q. And what about action flicks? You can see now a days most heroines are looking forward to action films.
A. I have been in athletes since my college days. So, I am very adventurous. Now I guess you can understand how much I like action. It would be a nice thing for me to have chance to do action in Hindi as I already have done action in South flicks. I still can remember that I got wounded during an action scene in South but I was so excited about the action that I completed the scene ignoring the wound completely.
Q. Please tell us about your forthcoming films.
A. In Hindi my future projects are Aamir Khan Production’s Jaane Tu Ya Jaane Na and Anis Azmi’s It’s My Life. The second one is a Hindi remake of my Tamil film Barmalu. Barmalu in Tamil means ‘house of dolls’. I hope of getting the same crazy response from the Hindi audience as it got from the audience in South.
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After Amrita Rao, now it’s baby Vidya who is desperately trying to change her looks and probably image also. And folks, what could have been better for Vidya Balan than to follow the fashion statement of stars like Saif Ali, Aamir and King Khan. Yes, we are aptly talking about Vidya opting for a tattoo tale for her silky skin. Roaming around in the alleys of tinsel town all alone, the senorita has already gone crazy for attention and her heart is aching of pumping only blood and no adrenalin for affected affection. You know what we mean!
Thus, Vidya is all set to shed her next door girl image and adopt a brand new style statement. The gorgeous lady has accepted that she is going to tattoo her body. For the record we must recap that recently baby Vidya has been in the news with her brewing romance with lonely baba Shahid. After witnessing Shahid’s ex-girlfriend Kareena’s new dude Saif inking Kareena’s name on his arms, it would really be interesting to see whose name or which design Vidya would be choosing to cover her lonely skin.
Well though, Vidya’s upcoming venture Kismat Konnection has Shahid Kapoor as her co-star, the hotter cake should be counted on Vidya’s glistening skin. Sad part of the matter is now even Vidya will be out of the next door.It was a touching moment when Sanjana Jon, the sister of jailed fashion designer Anand Jon, broke down during the show organized by her at the ongoing Wills Lifestyle Fashion Week. The show was a tribute to her brother, who has been sentenced to 59 years in prison.
The showstoppers for Sanjana Jon’s Spring/Summer 2010 collection show at the Wills Lifestyle India Fashion week were brother duo Salman Khan and Sohail Khan, sister duo Raima and Riya Sen, and brother-sister duo Sushmita Sen and Rajiv Sen. Sarod maestro Aman Ali Khan and Ayan Ali Khan also showcased the creation by the designer.






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What is it all about?
Amitabh Bachchan, this man has done it before and again he does it with tremendous ease. By his sheer simplicity of getting into the skin of the character makes an average film worth watching.
If you believe that in this era, one channel can force a PM to resign on criminal charges, which never gets investigated… If you believe that a channel can make an opposition leader the next P.M…
If you believe that the oath taking ceremony of India’s PM can be halted because one respected honest journalist is making some exposure in his studio…
Then you can hail RGV’s ‘Rann’ as a thought provoking, stark and sensible cinema, otherwise it’s a juvenile view of the complexity, hunger, myth of journalism based on the principle ‘To speak the truth without fear or favour’ which is loosing its credibility and colour by every sensationalism and scripted news items day by day. The prolific RGV who told us nothing but the truth in ‘Satya’ and continued to rule with ‘Sarkar’ fails to apprehend the true enormity of media blunders which we see everyday and can’t list them and forget very easily. But wonders like Jessica Lall trial or the current Shruti or even the thelka expose still remains in our minds. Rather the movie is a simple average neta media story on the surface of a T.V. channel where it doesn’t give the material or the audience much.
New Delhi Times, Surkhiya, Page 3, even SRK’s ‘ Phir Bhi Dil Hai Hindustani’ have tried to show us the insight of media some dared to bring the truth somewhat while others didn’t. Sadly, RGV’s ‘Rann’ comes with lack of evidences and sources that make you feel that you are watching a contrived social drama.
The Story……Of Course
One can easily imagine the drama as the writing lacks insights and details where Vijay Harshvardhan Malik (Amitabh Bachchan) is the founder of a private news channel, India 24/7. A hardcore upholder of journalistic ethics, his channel is battling for survival. Jay (Sudeep), his son, looks at his father's news channel purely as a business enterprise that must make profits to justify its existence. He hates that his competition (Mohnish Bahl) is doing better than him. The story takes a turn when a corrupt politician, Mohan Pandey (Paresh Rawal), decides to use the channel to his advantage by using Vijay's son-in-law Navin (Rajat Kapoor). Pandey aspires to be the Prime Minister and indulges in a vicious campaign against his political opponent.
Navin is the most insecure man on earth and won't rest till he becomes the number one industrialist in the country. He, in turn, involves his brother-in-law Jay in Pandey's game plan.
What to look out for?
The movie is shrewdly made and is surrounded by some excellent performances.
Big B as the distinguished newsman who is a staunch believer of honesty gives a performance that makes this average fair watch able for the man’s sincere efforts.
The 5 minutes speech during the end moments of the film clearly showed the aghast, pain and sadness of the man who believes in honesty thwarting and refusing all the demands is now helpless as he finds his son on the receiving end. Big B’s pause and expressions are just brilliant and forces you to feel for the character where ironically the movie doesn’t.
Ritesh spunk’s a surprise by enacting a serious role breaking his mould from those mindless clowny acts. Sudeep is fantastic and spontaneous. Paresh Rawal does the villainy with sincerity. Rajat Kapoor is earnest. Mohnish Bhel once again proves. The ladies didn’t have much to do but still Suchitra Krishnamurthy gets more scope and shines. The movies intriguing moments apart from Big B’s speech are given by Rajpal Yadav who is repetitive but is still enjoyable.
Technical aspects are strong; the movie is well shot by Amit Roy where Nipun Gupta’s scissor work makes it look sharp and the background score by Debasish Mishra makes an attempt to set our mood.
What’s not?
Apart from the blunders mentioned at the start, the movie lacks details and takes too much liberties like Ritesh Deshmukh an entrant is immensely lucky to be a part of the channel’s board meeting where TRP’s and other important decision are being taken, he even voices his opinion and goes for exclusive interviews?.
Later on, he acquires the top position of the channel because he was the man behind the expose and what on earth makes the strong principal holder like Amitabh quit the job as a media man, he should have continued and set an example.
Big B’s speech should have ended the film on that inspiring thinking note but the call for the push and pull of commercial and sensible cinema makes RGV to end on a melodramatic and filmy note making Sudeep who plays Big B’s son commit suicide and a new entrant Purab Shastri getting the top position in the channel.
Where and when do we see the pathos of crusading reporters who selflessly put their principles above all? At least in the film it could have been shown.
And how on earth can a person decide the venue for his oath taking ceremony as a PM of India away from Rashtrapati Bhavan.
Recommended: ‘Rann’ is like listening to the just an average debater in middle school presenting a term paper called "Politics, Power and the Media.", this dumping down on the insights which we need to know and ‘covering’ it with a routine Bollywood drama of politicia and the media is for those cinegoers whose look for drama and melodrama and not the truth.
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‘Teen Patti’ is an emotionally riveting and razor sharp thriller set in India and England that revolves around greed, deception and giant feats of imagination. It’s said to be an edge-of-the-seat plot and has already captured minds of the audiences worldwide. Created against the backdrop of modern India - made internationally adored following the success of Slumdog Millionaire, Teen Patti is one of the most fascinating new films to emerge from Asia, its themes and narrative are so profoundly particular to India .
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‘Teen Patti’ starrs two of the greatest acting legends Amitabh Bachchan and Ben Kingsley along with an ensemble cast including the dashing Madhavan, the sultry Saira Mohan, the ravishing Raima Sen and introducing Dhruv Ganesh, Siddharth Kher and Vaibhav Talwar. B-town’s big-time Baddie Shakti Kapoor’s daughter Sharadha Kapoor will be among the others in the movie to make their debut.
Amitabh plays a professor who teaches an equation to crack Teen Patti, a of poker game with a cause, to five of his brightest protégés. Being one of the most awaited releases of 2010, Teen Patti will hit the screen on Feb 26, 2010
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